{"id":506,"date":"2009-09-28T01:16:03","date_gmt":"2009-09-27T23:16:03","guid":{"rendered":"http:\/\/www.vesna-bukovec.net\/eng\/?page_id=506"},"modified":"2020-08-21T13:36:21","modified_gmt":"2020-08-21T11:36:21","slug":"is-art-necessary-why","status":"publish","type":"page","link":"http:\/\/www.vesna-bukovec.net\/eng\/is-art-necessary-why","title":{"rendered":"Is Art Necessary? Why?"},"content":{"rendered":"

Year: 2002-2005
\nType: installation
\nMaterial: prints, texts; various dimensions<\/p>\n

\"Is<\/p>\n

I was interested in communication problems between the world of contemporary art and the wider public. Contemporary art often blames the public for its conservatism, but it is maybe contemporary art with its different strategies that is inaccessible and incomprehensible.<\/p>\n

The title was selected from a list of questions that I asked my friends and acquaintances. In a questionnaire I asked people how much they follow contemporary art and what they think of it. The answers that I used are from the people who don\u2019t follow contemporary art, but have some general opinion about art and what it should be about.<\/p>\n

I used works of well-known contemporary artists as an illustration of the statements (reproductions of Western art works are taken out of a contemporary art survey book). People who wrote these statements didn\u2019t actually see these works \u2013 their statements are not directly about the art works.<\/p>\n

In 2005 I was invited to participate at the exhibition How to speak of contemporary art?<\/em> in Arsenal Gallery, Bialystok, Poland. For this exhibition I have expanded my project with additional reproductions of works by contemporary Polish artist and the answers came from the questionnaire from local people in Bialystok.<\/p>\n

The work is now part of the Arsenal Gallery’s collection Kolekcja 2<\/a>.<\/p>\n

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<\/div>\n

—<\/p>\n

– Is art important and why?
\n– It is necessary as long as it aims at promoting the idea of good instead of creating controversies.<\/p>\n

This short exchange between Vesna Bukovec, a member of Slovenia\u2019s younger generation artists, and an anonymous respondent replying to a questionnaire prepared by the artist was illustrated with Zbigniew Libera\u2019s work Final Liberation 2. The 22-year-old woman\u2019s response to the artist\u2019s question, however, was in no way evoked in response to Libera\u2019s photograph. Final Liberation 2 was added by Bukovec later as a form of authorial commentary. It would be hard to find a statement that more literally questions the reasoning behind the creation and existence of Libera\u2019s work than this response. After all, Final Liberation is not only a commentary on the use of information as a mean of manipulation and on apriori acceptance of the images of reality provided by the media, but it is also a negation of the Platonic triad, which continues to guide the public\u2019s assessment of art works.<\/p>\n

Zbigniew Libera and Vesna Bukovec share little in common. They are not products of the same generation, they express themselves on different issues, using different media, and they have different artistic credos. The one thing they do share is their origins \u2013 their geographic (and therefore political, economic, and cultural) affiliation: both represent countries that are part of a greater whole known as Central Europe. This context infuses the issues they address with new meanings.<\/p><\/blockquote>\n

Excerpt from the text Geography of Identity, Geography of Art<\/a><\/em> by Izabela Kopania<\/p>\n

—<\/p>\n

Is Art Necessary? Why?<\/em> is part of the art Collection II \/ Kolekcja II<\/a> of Arsenal Gallery in Bialystok and Podlaskie Association for the Promotion of Fine Arts, PL.<\/p>\n

Text:
\nDescription of work in the collection<\/a> by Izabela Kopania
\nGeography of Identity, Geography of Art<\/em> by Izabela Kopania<\/a>, catalogue of group exhibtion Minimal Differences, 2010<\/p>\n","protected":false},"excerpt":{"rendered":"

Year: 2002-2005 Type: installation Material: prints, texts; various dimensions I was interested in communication problems between the world of contemporary art and the wider public. Contemporary art often blames the public for its conservatism, but it is maybe contemporary art with its different strategies that is inaccessible and incomprehensible. The title was selected from a […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.vesna-bukovec.net\/eng\/wp-json\/wp\/v2\/pages\/506"}],"collection":[{"href":"http:\/\/www.vesna-bukovec.net\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.vesna-bukovec.net\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.vesna-bukovec.net\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.vesna-bukovec.net\/eng\/wp-json\/wp\/v2\/comments?post=506"}],"version-history":[{"count":13,"href":"http:\/\/www.vesna-bukovec.net\/eng\/wp-json\/wp\/v2\/pages\/506\/revisions"}],"predecessor-version":[{"id":2768,"href":"http:\/\/www.vesna-bukovec.net\/eng\/wp-json\/wp\/v2\/pages\/506\/revisions\/2768"}],"wp:attachment":[{"href":"http:\/\/www.vesna-bukovec.net\/eng\/wp-json\/wp\/v2\/media?parent=506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}