{"id":1743,"date":"2013-09-05T12:12:52","date_gmt":"2013-09-05T10:12:52","guid":{"rendered":"http:\/\/www.vesna-bukovec.net\/eng\/?p=1743"},"modified":"2013-09-05T12:13:39","modified_gmt":"2013-09-05T10:13:39","slug":"s-crto-cez-crko-line-stroke-the-letter","status":"publish","type":"post","link":"http:\/\/www.vesna-bukovec.net\/eng\/archives\/1743","title":{"rendered":"S \u010drto \u010dez \u010drko \/ Line Stroke the Letter"},"content":{"rendered":"

Exhibition:<\/strong> S \u010drto \u010dez \u010drko \/ Line Stroke the Letter
\nLocation:<\/strong> V\u017eigalica Gallery, Ljubljana
\nDate:<\/strong> 5 September \u2013 13 October 2013
\nOpening:<\/strong> 5th September, 2013 at 8 pm
\nAccompanying event \/ Lecture performance:<\/strong> 25 September 2013, 6 pm, Dejan Habicht: 12 Boring Poems<\/p>\n

Artists: Vesna Bukovec, Zvonko \u010coh, Milan Eri\u010d, Zvonko \u010coh in Milan Eri\u010d, Dejan Habicht, Marko A. Kova\u010di\u010d, Damijan Kracina, Amir Muratovi\u0107, Alenka Pirman, Nata\u0161a Prosenc, Zoran Srdi\u010d Jane\u017ei\u010d, Petra Varl, Rajko Vidrih, Jaka \u017deleznikar <\/p>\n

Exhibition concept: Barbara Bor\u010di\u0107, Du\u0161an Dov\u010d, Ida Hir\u0161enfelder, Sa\u0161a Nabergoj <\/p>\n

\"S
\n <\/p>\n

Napetosti med jezikovnim in slikovnim omogo\u010dajo eksperimentiranje z literarnim in likovnim umetni\u0161kim izrazom. Dela na razstavi razli\u010dnih \u017eanrov (ilustracija, risba, stenska slika, tipografija, video, animacija, instalacija, elektronska knjiga, spletna umetnost) vzpostavljajo druga\u010dne pristope k podobi in \u010drki \u2013 tudi zato, da se v dana\u0161njem \u010dasu tehnokratske rabe jezika spodbuja kriti\u010dno \u00bbbranje\u00ab likovnega ter “gledanje” literarnega in pripovednega.<\/p>\n

Ve\u010d o razstavi<\/a>
\nGalerija V\u017eigalica<\/a>
\nVabilo<\/a> (pdf)<\/p>\n

_<\/p>\n

Between language and image, there is neither contradiction nor analogy. That is to say, there is no direct relation between them, there is only ambiguity, e.g. obscurity being expressed, hinting at the inability to express a direct translation between the two. Any translation would only discuss another matter, one that the language or the image wish to represent; it would address the numerous levels of social phenomena that are mainly expressed as absurd, nonsensical, humorous, playful, bitter, gruesome or romantic witticisms about life. <\/p>\n

More about the exhibition<\/a>
\nV\u017eigalica Gallery<\/a>
\nInvitation leaflet<\/a> (pdf)<\/p>\n

—<\/p>\n

I am participating with a a series of drawings: Kako se uspe\u0161no spopasti z neuspehom \/ How to fail successfully (2011\/2013)<\/p>\n

\"How<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"\n\n
\"S<\/a><\/td>\nV\u017eigalica Gallery, Ljubljana
\n5 September \u2013 13 October 2013<\/p>\n

Artists: Vesna Bukovec, Zvonko \u010coh, Milan Eri\u010d, Zvonko \u010coh in Milan Eri\u010d, Dejan Habicht, Marko A. Kova\u010di\u010d, Damijan Kracina, Amir Muratovi\u0107, Alenka Pirman, Nata\u0161a Prosenc, Zoran Srdi\u010d Jane\u017ei\u010d, Petra Varl, Rajko Vidrih, Jaka \u017deleznikar <\/p>\n

Exhibition concept: Barbara Bor\u010di\u0107, Du\u0161an Dov\u010d, Ida Hir\u0161enfelder, Sa\u0161a Nabergoj <\/p>\n

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