{"id":1993,"date":"2015-01-13T14:39:03","date_gmt":"2015-01-13T12:39:03","guid":{"rendered":"http:\/\/www.vesna-bukovec.net\/eng\/?p=1993"},"modified":"2015-01-27T23:04:35","modified_gmt":"2015-01-27T21:04:35","slug":"transform-5","status":"publish","type":"post","link":"http:\/\/www.vesna-bukovec.net\/eng\/archives\/1993","title":{"rendered":"TRANS.form 5"},"content":{"rendered":"

Exhibition:<\/strong> TRANS.form 5
\nLocation:<\/strong> K\u00fcnstlerhaus Klagenfurt \/ Dom umetnikov Celovec, AT
\nDate:<\/strong> Januar 15 \u2013 February 26, 2015
\nOpening:<\/strong> Thursday, January 15, at 7 pm<\/p>\n

Artists: Johann Fruhmann \/ Michael Punz, Josef Gabler \/ Andrea Knezovi\u0107, Wilhelm G\u00f6tzl \/ Veronika Oberlojer, Kiki Kogelnik \/ Chriss Hall, Heinz Peter Maya \/ Edith Bergmann, Karl Stark \/ Andrew Mezwinsky, Ludwig Willroider \/ Roswitha Schuller & Markus Hanakam, Albert Zahlbruckner \/ Vesna Bukovec<\/p>\n

Curator: Andres Klimbacher<\/p>\n

Supported by: Skica<\/p>\n

\"TRANSform<\/p>\n

<\/div>\n

Invitation card (pdf)<\/a>
\nwww.kunstvereinkaernten.at<\/a><\/p>\n

O razstavi<\/p>\n

Koncept razstavnega ciklusa TRANS.form temelji na vzpostavitvi dialoga med deli pokojnih \u010dlanov Koro\u0161kega dru\u0161tva likovnih umetnikov (K\u00fcnstverein K\u00e4renten) in mlaj\u0161imi ustvarjalci iz regije in okolice. <\/p>\n

—<\/p>\n

Sodelujem s serijo risb Ni dru\u017ebe brez spektakla (There is no society without spectacle)<\/a> (2011\u2013). Projekt se ukvarja s percepcijo mno\u017eice in gledal\u010deve lastne pozicije ter primerja raznolike kolektivne izku\u0161nje iz specifi\u010dnih okolij dana\u0161njega \u010dasa in preteklosti. Njihova primerjava odpira vpra\u0161anja specifike dru\u017ebenih in zgodovinskih okoli\u0161\u010din ter globalne geografske in socialne (de)privilegiranosti.<\/p>\n

Umetni\u0161ka izjava:<\/p>\n

Fascinacija s kolektivno izku\u0161njo<\/p>\n

Pritegnila me je ena izmed slik Alberta Zahlbrucknerja ‘Praznik pri Gospe Sveti (Feiertag in Maria Saal)’ (1934). Kljub temu, da na prvi pogled ni nobene o\u010ditne vzporednice med to sliko in mojim delom, se mi je zdelo zanimivo, da ji ob bok postavim serijo svojih risb ‘Ni dru\u017ebe brez spektakla (There is no society without spectacle)’ (2011\u2013). Odprta serija trenutno devetih konceptualnih risb, ki so nastale po fotografijah, najdenih na spletu, prikazuje razli\u010dne mno\u017ei\u010dne dogodke (proteste v New Yorku in v Sloveniji, razo\u010darane tovarni\u0161ke delavce, gledalce teni\u0161kega turnirja, kupce, ki \u010dakajo na novi i-Phone, publiko na rokovskem koncertu, molitev v \u0161oli, begunce, ki se prerivajo za pakete s hrano ter begunce, re\u0161ene po brodolomu). Vsem tem prizorom je skupna mno\u017eica ljudi na posebnem prijetnem ali neprijetnem dogodku. Kot pravi teoretik Jean-Luc Nancy: ni dru\u017ebe brez spektakla, oz. natan\u010dneje, ni dru\u017ebe, brez spektakla dru\u017ebe. \u2026 Ni dru\u017ebe brez spektakla, saj je dru\u017eba sama svoj spektakel. Lahko bi rekla, da podoba praznika v romarskem sredi\u0161\u010du iz leta 1934, prikazuje takratni aktualni spektakelski dogodek v lokalnem okolju umetnika. <\/p>\n

Vesna Bukovec<\/em><\/p>\n

\n

About the exhibition<\/p>\n

TRANS.form 5 presents the newest edition of a project which has been conducted with acclaim for several years now. The basic concept is the juxtaposition of old and young:<\/p>\n

Young artists are invited to set their current work into dialogue with selected works by former members of the Carithian Artists’ Association who are no longer alive. This dialoogue is conducted through formal criteria as well as isuues of artistic content.<\/p>\n

The young artists’ works make reference to specific original works by the deceased artists, not as any kind of hommage, but as an intrinsic part of their current practice. This sparks off an exciting communication between the past and the present, a one-to-one conversation which is conducted purely through the medium of the works themselves.<\/p>\n

The works in the exhibition are presented as pairings, spanning a wide arc from the past into the present, from tradition to the avant-garde, from classical technique all the way to conceptual installation.<\/p>\n

—<\/p>\n

I am participating with the drawing series There is no society without spectacle<\/a> (2011\u2013).<\/p>\n

Artist statement:<\/p>\n

Fascination with the collective experiences<\/p>\n

Of the works by Albert Zahlbruckner, I was attracted by the painting ‘Feiertag in Maria Saal’ (1934). Despite the fact that at first sight there are no obvious parallels between this painting and my work, I thought it would be interesting to confront it with my series of drawings \u2018There is no society without spectacle\u2019 (2011\u2013). The open ended series of so far nine conceptual drawings which are based on photographs found on the Internet and depict various mass events (protests in New York and in Slovenia, desperate factory workers, spectators at a tennis tournament, customers waiting for the official release of the new i-phone, the audience at a rock concert, school children at prayer, refugees struggling for their package of food and refugees rescued from a shipwreck). All these scenes have in common a crowd of people at a special pleasant or unpleasant event. As the theorist Jean-Luc Nancy would say:<\/em> there is no society without spectacle; or more precisely, there is no society without the spectacle of society . \u2026 There is no society without the spectacle beacause society is the specatacle of itself. One could say that the painting of the pilgrimage in 1934 is presenting the current spectacular event in the local environment of the artist.<\/p>\n

Vesna Bukovec<\/em><\/p>\n

\"Albert<\/p>\n

<\/div>\n

—<\/p>\n

Photos from the exhibition<\/p>\n

\"Vesna<\/p>\n

\"TRANS.form<\/p>\n

\"TRANS.form<\/p>\n

\"TRANS.form<\/p>\n

\"TRANS.form<\/p>\n

\"TRANS.form<\/p>\n

\"TRANS.form<\/p>\n

\"TRANS.form<\/p>\n

\"TRANS.form<\/p>\n

\"Andrew<\/p>\n

\"Andrea<\/p>\n","protected":false},"excerpt":{"rendered":"\n\n
<\/a><\/td>\nK\u00fcnstlerhaus Klagenfurt, AT
\nJanuar 15 \u2013 February 26, 2015
\nOpening: Thursday, January 15, at 7 pm<\/p>\n

Artists: Johann Fruhmann \/ Michael Punz, Josef Gabler \/ Andrea Knezovi\u0107, Wilhelm G\u00f6tzl \/ Veronika Oberlojer, Kiki Kogelnik \/ Chriss Hall, Heinz Peter Maya \/ Edith Bergmann, Karl Stark \/ Andrew Mezwinsky, Ludwig Willroider \/ Roswitha Schuller & Markus Hanakam, Albert Zahlbruckner \/ Vesna Bukovec<\/p>\n

Curator: Andres Klimbacher
\n>>><\/a>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[],"_links":{"self":[{"href":"http:\/\/www.vesna-bukovec.net\/eng\/wp-json\/wp\/v2\/posts\/1993"}],"collection":[{"href":"http:\/\/www.vesna-bukovec.net\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.vesna-bukovec.net\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.vesna-bukovec.net\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.vesna-bukovec.net\/eng\/wp-json\/wp\/v2\/comments?post=1993"}],"version-history":[{"count":11,"href":"http:\/\/www.vesna-bukovec.net\/eng\/wp-json\/wp\/v2\/posts\/1993\/revisions"}],"predecessor-version":[{"id":2002,"href":"http:\/\/www.vesna-bukovec.net\/eng\/wp-json\/wp\/v2\/posts\/1993\/revisions\/2002"}],"wp:attachment":[{"href":"http:\/\/www.vesna-bukovec.net\/eng\/wp-json\/wp\/v2\/media?parent=1993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.vesna-bukovec.net\/eng\/wp-json\/wp\/v2\/categories?post=1993"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.vesna-bukovec.net\/eng\/wp-json\/wp\/v2\/tags?post=1993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}